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NEW WORLD

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted.

NEW WORLD

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted.

NEW WORLD

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted.

NEW WORLD

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted

NEW WORLD

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted

NEW WORLD

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted.

NEW WORLD

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted

NEW WORLD

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted.

NEW WORLD

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted.

NEW WORLD

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted.

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted.

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted.

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted.

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted.

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted.

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted.

NEW WORLD

The United States is the cradle of modern visual culture. Growing up in a different world, more than any other place, i had vivid images of what America is. And now, from within, it is still as exciting and exotic and bewildering a phenomenon. I am interested in the landscape of imagery - advertising, television, art - symbols which transcend the local and speak about the whole. 

I want to capture pieces of this visual landscape and confined within a perfect square frame transform them into portraits of a time and a place. I would like my individual images to be simple observations, small truths, but in their sequencing, grouping and relations to one another i hope to reveal patterns of how a group identity is grown, perpetuated or distorted.

NEW WORLD
NEW WORLD
NEW WORLD
NEW WORLD
NEW WORLD
NEW WORLD
NEW WORLD
NEW WORLD
NEW WORLD
NEW WORLD